Shroud of Turin Carbon 14 Madness

Strange Images on the Turin Shroud

The Shroud's Journey: Edessa to Turin

Second Face on The Shroud of Turin

Shroud Research 1898 to 2005

Description of the Shroud of Turin

Skeptical Inquirers Needed
 

Shroud of Turin Skeptical Spectacle > Carbon 14 Madness > Reweaving Repair

carbon 14 dating a patch

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NEW 2005 SHROUD OF TURIN BROUHAHA: SCIENCE vs PAPAL CUSTODIAN


 

Medieval Reweaving the Shroud of Turin

It was a brilliant bit of detective work. Sue Benford and Joseph Marino consulted with several textile experts. They examined the documenting photographs of the carbon 14 samples and other close up photographs of the Shroud. They found clear indications of a discrete repairs to the Shroud.

The repair seems to have been what modern tailors call invisible reweaving. This results in an intermingling of new and older thread. Threads are even spliced together. The newer thread is carefully dyed to match the older material so as to make it almost invisible to the naked eye.

This was a common method by which artisans repaired valuable tapestries during the middle ages.

Enough newer thread was identified so that Ron Hatfield of the Beta Analytic, one of the world largest carbon 14 dating firm, to estimate that had the cloth of the Shroud been 1st century and the new cloth 16th century, the results would have been what the carbon 14 tests had revealed.

No one knows for sure if the Shroud of Turin is real. But if we focus only on what is published in peer-reviewed scientific journals then we know certain facts. The Shroud of Turin is at least 1300 years old. It could be older. The images are unexplained. As Philip Ball wrote in Nature, in commenting on a 2005 article in Thermochimica Acta that proved that previous carbon 14 dating was invalid,  "It is simply not known how the ghostly image of a serene, bearded man was made" If we turn to a 2003 article in Melanoidins we find that the images on the Shroud of Turin are a chemical caramel-like darkening of an otherwise clear starch and polysaccharide coating on some of the shroud’s fibers It is absolutely not paint.

There is the enigma of the second face on the reverse side of the Shroud as reported in 2004 in the Journal of Optics published by the Institute of Physics. Other peer-reviewed evidence is clear: The bloodstains are human blood. The images have peculiar 3D properties. The Shroud was bleached by methods used in the first century and not later in the medieval.

Throw in some history, and given what is known scientifically, and there is ample reason to infer that the Shroud of Turin is genuine. The thoughtful skeptical inquirers aims not to achieve this or that conclusion. Rather their aim is the process of honest skeptical inquiry. There is ample room for the thoughtful skeptical inquirer in Shroud of Turin research. But the articles that appear now and then in the Skeptical Inquirer magazine are preposterously polemic, filled with arguments refuted by peer-reviewed scientific observation and lack proper historical investigation.

The American Chemical Society website quotes a thoughtful skeptical inquirer, the late Raymond Rogers, the Los Alamos scientist who showed that the carbon 14 dating was invalid: "The observations do not prove how the image was formed or the "authenticity" of the Shroud. There could be a nearly infinite number of alternate hypotheses, and the search for new hypotheses should continue."

 

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