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Skeptical Inquirer's Shroud of Turin Questions

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The skeptical inquirer considers . . .

Why might there be paint particles on the Shroud of Turin?

We should not doubt that Walter McCrone found iron-oxide and mercury-sulfide, both constituents of paint. But there are many reasons why such chemical particles might be found on the Shroud: water used for retting flax and centuries of dust; particularly dust in churches with frescoed ceiling and walls. All other scientists who examined the image fibers -- many of them as renowned and every bit as qualified -- have disagreed with McCrone. There is, simply, an insufficient amount of paint constituents to form a visible image. Spectral analysis proves that. So does the now certain knowledge of the image bearing super-thin film. Ironically, McCrone identified the super-thin starch substance that ultimately became part of the proof that his conclusions were wrong.

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Shroud of Turin and the Skeptical Inquirer


Fact: The 1988 carbon 14 dating used invalid samples snipped from a discrete medieval repair. Furthermore, kinetics constants for the loss of vanillin from lignin indicates that the cloth is at least twice as old as the dates determined by the carbon 14 dating with the faulty samples.

By some estimates, from examination of documenting photographs, there is sufficient new thread (about 60%) to allow adjusting the cloth's date to approximately the first century.

Fact: The images are formed by a brownish, complex conjugated carbon substance within a carbohydrate layer of starch fractions no thicker than 1/100 the diameter of a human hair.

The images are probably the product of an amino/carbonyl reaction.

Fact: The bloodstains are real blood. The blood is unusually red for old blood.

The blood probably stayed red and did not turn black as blood normally does because trace chemicals found in the starch fractions are hemolytic. Also, the blood is rich in bilirubin, a bile pigment produced when a human body is under severe traumatic stress. Bilirubin is bright red and stays red.

Fact: There is a faint, superficial face image on the back of the cloth.

This supports the hypothesis of an amino/carbonyl reaction.

Fact: There are sufficient descriptive historical records to suggest that the Shroud of Turin is the Edessa cloth (ca. before 544 to 944 CE) and the Bucoleon Palace grave cloth of Constantinople (ca. 944 - 1204).

Fragmentary evidence suggests that the Edessa Cloth originated in Jerusalem in the 1st century and that it is the burial cloth of Jesus of Nazareth.